Re: Re: Re: Re: Re: Re: German F theories


[ Follow Ups ] [ Post Followup ] [ TubeNet BBS ] [ FAQ ]

Posted by Joe S. on August 30, 2001 at 07:27:42:

In Reply to: Re: Re: Re: Re: Re: German F theories posted by Matt G on August 30, 2001 at 06:40:40:

I agree with your post re: a realistic tuba "performance" degree program.


I also agree with you that once the "history of western music" passes the beginning of the 20th Century, "formal" music school music historians get sidetracked into compositional technique dead-ends and present these dead-ends to their students as mainstream - even to the point of encouraging composition students to "continue in these dead-end 'traditions' ".

Joe "who challenges most any university undergraduate composition major to compose a viable and presentable 128-bar piece for four saxophones in the key of D major, because this exercise involves a working knowledge of range, tranpositions, composing in a KEY, and composing music that not only others can understand, but that the COMPOSER HIMSELF can understand" S.



Follow Ups: